Symbols and political analogies abound in this dramatically frustrating first work by a recent film-school graduate. In the story, Vojtech has survived World War II in a Czech prison following an unjust sentence. Now he is free, and the world is full of possibilities. He is ready to embrace life to its fullest. He moves to a Bohemian village and begins working very hard to make something of his life. The villagers are suspicious from the first, and the more exuberantly Vojtech lives his life, the more antagonistic they become. Just when it looks like he has found both love and livelihood, the villagers kill him.
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