As always, French filmmaker Sacha Guitry wore several hats during the making of Toa. Guitry directed the film, wrote the script (from his own stage play), and cast himself in the leading role of playwright Michel Desnoyers. When his jealous mistress leaves him, Desnoyers finds an emotional outlet for his disappointment by writing a play about the situation. On opening night, Desnoyer's ex-lover sits in the audience and disrupts the proceedings. She then pulls a "life imitates art" by repeating the behavior of the play's fictional heroine. All turns out well when it is realized that the whole megillah was based on a silly misunderstanding. As for the title Toa, well, that too is explained towards the end. The film was the third 1949 release for the indefatigable Monsieur Guitry.
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