As it lays rusted and burning (thanks to the bored young punks who set it ablaze) in a grungy urban town square, a once-glorious white 1959 Chevrolet recounts its life story. Thus begins the film that marked the return of noted Spanish journalist, novelist and occasional filmmaker Javier Maqua to feature-film directing after a 17-year absence. Hard case drug dealer Brujas takes up residence in the lonely car. His only real friend is Gaspar, a former movie director for whom Brujas once worked. Gaspar suffers from similar hardships and works as a rat catcher at a nearby church. Together the two revere the Chevy as a symbol of their earlier affluence. Lucia is a middle-aged streetwalker who befriends the two and shares her dream of marrying an African immigrant who lives in the neighborhood. Trouble comes in the form of Turk, the local crime lord who wants to collect on a debt owed to him by Brujas. The first parts of the film are quite slow-paced, but matters become more exciting when a group of violent Neo Nazis show up and murder a friend of Lucia's.
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